Amy Steere

Download Now Server 1 Download Now Server 3 Download Now Server 2 Begum Sans is a high-contrast design. Its letterforms feature horizontal strokes that flair outwards and look a bit like wedges; this is particularly prominent in the typeface’s capital letters. The feature has a long tradition in lettering, which even predates typography: similar wedge-shaped horizontal strokes were prominent features on Florentine inscriptional lettering during the Renaissance. Even though Begum Sans is a display face, its use isn’t limited to headlines. The typeface’s proportions offer possibilities for many kinds of shorter-length texts, i.e., call-outs, packaging design and the multi-line article introductions that are common in print and on screen. Pair Begum Sans with its matching display serif face Begum. Both Begum and Begum Sans were designed in India by Ma

Download Now Server 1 Download Now Server 3 Download Now Server 2 Akin is a monolinear script typeface designed in a single weight. Its letters’ designs combine geometric elements with a retro aesthetic, swashes, and a steep slope. Characters’ sides are straight, giving the typeface a condensed feeling overall. Akin’s design language feels reminiscent of both the 1950s and the 1990s, but there isn’t just one specific style that it cites: Akin is a timeless face, which looks like it could have always been a part of graphic design. Like almost every good OpenType script font, Akin has a lot of alternates. The most prominent feature is the font’s swashes. Swashes of various lengths can be automatically applied via an OpenType feature that reads the surrounding characters – in both directions – and inserts swashes that sweep above or below two or ev

Download Now Server 1 Download Now Server 3 Download Now Server 2 Isidora Soft is a new version of Isidora —a 2016 MyFonts Bestseller. Its rounded, soft terminals give it a friendly and expressive look, and its modern and contemporary style, small x-height and classic proportions make it an excellent choice for headlines, logotypes, branding, books, magazines, motion graphics, and use on web and Tv. Isidora Soft consists of two 7-weight versions: one regular and one alternative which is more expressive and playful compared to its counterpart. Both versions include matching italics, resulting in a total of 28 styles. Isidora Soft contains a set of 452 characters that support over 200 Latin-based languages. Download Isidora S

Download Now Server 1 Download Now Server 3 Download Now Server 2 Goldplay is based on Isidora Sans design yet features rounded shapes. Its rounded, soft terminals give it a friendly and expressive look, and its modern and contemporary style as well as its classic proportions make it an excellent choice for headlines, logotypes, branding, books, magazines, motion graphics, and use on web and Tv. One of its key features is a small x-height which make it look elegant and classy. Goldplay comes in 2 versions—each in 7 weights, from Thin to Black, and matching italics, resulting in a total of 28 fonts. The standard sans serif version—fresh, clean and contemporary—is a perfect choice for editorial and corporate design, headlines, books, magazines or any other piece of graphic design. The Alt semi-serif display version—more expressive and modern—is

Download Now Server 1 Download Now Server 3 Download Now Server 2 Always think before you speak! Thats the whole idea about Omtanke! A crunchy and grungy font by Jakob Fischer aka pizzadude! Fancy swashes and ligatures for double letters included! Download Omtanke Font Family From PizzaDude.dk

Download Now Server 1 Download Now Server 3 Download Now Server 2 Ulm Grotesk is a family of geometric-style fonts for use at display sizes. Its design is so simplified that it feels quite futuristic. There are five weights on offer, ranging from Light to Extra Bold. The characters have been drawn with optically-monolinear strokes. The capital letters contain quite a lot of character; some of them are markant, too. The ‘J’, for instance, is very wide. The fonts’ default ‘Q’ separates the ‘O’ stroke from the tail visibly; a more traditional-looking ‘Q’ is available as an alternate. The forms of the capital ‘A’, ‘V’, ‘W’, and ‘Y’ are reminiscent of the ‘worm logo’ that was used by NASA in the 1970s and ’80s. The lowercase ‘m’, ‘n’, ‘r’, and ‘u’ are spurless. The high-modernist geometric style of the ‘a’, ‘b’, and ‘c’ call Paul Ran

Download Now Server 1 Download Now Server 3 Download Now Server 2 Arlon makes it easy to give any brand or advertising a cool & futuristic look. Thanks to its spurless letterforms and some uncommonly shaped letters, this typeface creates a strong visual impact even in small sizes. Having generously rounded angles and terminals, Arlon also spreads warmth and friendliness. To sum up, Arlon communicates an affinity for technology in a friendly way. The family contains a really wide span from thin to black and has many Opentype features as well as many numerical variations to offer, making it a versatile font. More From Afrikaans via romanized Chinese through to Zulu: Arlon comes with 631 glyphs per font, covering more than 200 languages. Designed by Marc Lohner in 2018. Download Arlon Fonts by Marc Lohner

Download Now Server 1 Download Now Server 3 Download Now Server 2 Interlink is a single-weight, all-caps stencil typeface designed by the French designer Julie Soudanne. Its forms are monolinear, and they have the feeling of a contemporary-style sans serif. Interlinks letters are nice and geometric, but they are not mono-width. Nevertheless, Soudanne constructed many of the characters so that they feel like they might be equally wide, even though they are not. Aside from the stencil-optic, Interlinks best feature is its unique series of 68 ligatures. This large set includes both two-letter and three-letter ligatures. The OpenType Ligatures feature is so important to this design that the letters ability to link-up to each other is referenced in the typefaces very name: Interlink is, basically, a palette of inter-linking letters for designers to

Download Now Server 1 Download Now Server 3 Download Now Server 2 A collaboration between SAEL (artist) and Ale Paul (type designer) for Sudtipos as part of the first project at the foundry between illustration and type design to create a collection of colorfonts. More About the font: "Enterline assumes with authority the visual expression of color fonts. In its use, the density of Enterline becomes liquid. In his narrative, it becomes a pattern of infinite variables and nuances. In its hybridity, it evolves as hyper-typography. Sael marks its graphical nature (patterned diagonals, colors and shapes) in each letter of Enterline, and achieves a massive editable color font for the mobile first generation. Robotics and futuristic fandom, explicit japonism, cosmic phenomenology, tech toys, pixel art and the accelerated pulse of the present in c

Download Now Server 1 Download Now Server 3 Download Now Server 2 Axios was designed, on one side, due to its rational intention of searching the beauty on the purity of its forms, assuming the language of the early XX century geometric sanserifs, but its structure foundations are deeply attached into the classic typography; because while its uppercase proportions proceed form the roman canon, its lowercase are constructed following the humanist calligraphy ductus. This blend produce a typeface of modern, clean and minimalist personality that has implicit, on its core, a classic traditional spirit. All this gives Axios that form and function balance which allow it freely travel through a diverse range of fields like long text settings, branding or signalling systems with grace and naturality. More Axios includes an extensive repertoire of ligatu