Amy Steere

Download Now Server 1 Download Now Server 3 Download Now Server 2 Trade Gothic inline is a quirky display companion for Trade Gothic Next, offering five different voices, and a whole lot of personality. The lighter weights are graceful and elegant, embracing negative space to give the sense that the letters are halfway to disappearing. Designer Lynne Yun has incised the darker weights with a super thin inline that emphasises the heaviness of the letters, and creates a reassuring chunkiness. “If I kept the inlines the same, it created a lot of visual noise,” explains Yun. “I wanted each weight to be different enough, so in the end the weight and width of the letters was increasing and decreasing in size, and the inlines were too. The black is almost like an extra black, because the inline is

Download Now Server 1 Download Now Server 3 Download Now Server 2 Terrance Weinzierls Terry Junior typeface is a perfectly imperfect design one that retains the marks of the brush used to create it and harks back to the craft required to hand make letterforms. Originally drawn during a Monotype Font Marathon, Weinzierl later refined the typeface digitally adding an Inline version and designing alternates that replicate the irregularity of real-life brush scripts. It has a natural, cheery and bold appearance, says designer Terrance Weinzierl. Its young, but not wild. Painted, but not sloppy. A sign painters apprentice, perhaps. More Terry Junior is an obvious choice for designers and brands communicating with younger audiences, but would also work well on book covers, packaging, and in digital environments that need a little bit of extra playfuln

Download Now Server 1 Download Now Server 3 Download Now Server 2 First designed in the early 1800s, Walbaum never achieved the audience or acclaim it deserved despite its easy elegance, and sophisticated persona. Its been fully restored for this expansive family, which includes 32 weights including ornaments and two decorative cuts. More Walbaum offers the kind of warmth thats missing from comparable typefaces such as Bodoni or Didot, feeling effortlessly approachable and legible. Monotype team Carl Crossgrove, Charles Nix and Juan Villanueva have adhered to designer Justus Erich Walbaums original intentions, also incorporating work by the designers son into some of its more extreme display weights pushing the possibilities of Walbaum without compromising on its spirit. Text weights work well for the demands of digital environments, while deco

Download Now Server 1 Download Now Server 3 Download Now Server 2 Morandi is the first commercial sans serif font created by Jovica Veljovi a much-awarded designer whos been creating typefaces for over thirty years. The product of years of crafting letterforms, Morandi is supremely graceful. Each detail has been carefully refined for legibility, with open counters and generous apertures, and the bottom of round strokes slightly flattened. Not just elegant in appearance, Morandi is an efficient design, versatile enough to work in print and digital environments, including on-screen applications. The family offers three weight ranges and includes a large multi-national character set making it a practical choice, as well as an aesthetic one. Download Morandi™ Fonts by Monotype

Download Now Server 1 Download Now Server 3 Download Now Server 2 Despite being drawn digitally, Angeletta is a typeface in the hand-lettering tradition. It draws on designer Rob Leuschkes three decades of experience with pen and ink, including his time creating scripts for Hallmark Cards. Spontaneous and energetic, Angeletta is satisfyingly inky with strokes almost spilling into one another. Its quirky personality and titling version makes it a good choice for packaging and social expression, while its distinctive character could work well in branding, perhaps paired with a more sedate sans serif. More The Angeletta typeface is a calligraphic script designed by Robert E. Leuschke exclusively for Monotype. It is available in OpenType OTF and TTF fonts formats. Angeletta has 900 glyphs with OpenType typographic features like contextual and stylis

Download Now Server 1 Download Now Server 3 Download Now Server 2 VAG Rounded Next brings a classic 1970s typeface up to date, keeping all of its easy going, approachable personality but adding some much-needed versatility and language support. Originally commissioned by Volkswagen, VAG Rounded remained in use by the company until the early 90s and has also been used by Apple, Skype and Myspace. Its enduring appeal lies in its appealingly rounded terminals, and its immediate, informal tone of voice. More When you look at the Volkswagen Beetle it has these curves that are timeless and legendary, says Steve Matteson, who led the creation of VAG Rounded Next. I think thats what stands out in this design that friendly aesthetic, and the simple line and circle. This new version offers 700 glyphs with pan European language support (including Greek a

Download Now Server 1 Download Now Server 3 Download Now Server 2 Hope Sans takes the jaunty style of 1950s and 60s lettering and melds it with the jubilant 1970s swashes of Bookman. The result is a sans serif family that is lively, inviting and deeply customizable. Its basic sans serif forms create engaging text, while a roaring collection of swash designs, alternate characters and ligatures make it a natural for attention-grabbing display typography. More The middle weights of the family are easy on the eyes and shine at smaller sizes and in blocks of text copy. Their friendly vibe also translates well to web and interactive design projects. Spacing is open, counters are large and Hope Sans range of six weights can provide just the right design for virtually any need. Headlines, subheads, banners and navigational links are naturals for its

Download Now Server 1 Download Now Server 3 Download Now Server 2 Originally designed in 1928, Plak is something of a lost gem in the type world. Despite being drawn by Futura creator Paul Renner, it never achieved the same popularity and spent decades lacking a much-needed digital revival. Monotype designers Linda Hintz and Toshi Omagari have taken its existing three weights and, after extensive research into the original wood type, extended them into the vast Neue Plak family. More The typeface is available in 60 weights that stay true to Renners intentions, and offer the same blend of quirky details and German stiffness as Hintz describes it. The design is an unusual mixture, bringing together a defiant outer appearance thats counteracted by more playful details found in the lowercase r, and the large dots over the is. Other distinctive deta

Download Now Server 1 Download Now Server 3 Download Now Server 2 Sabina Chipara's DIN Next Shapes typeface is a twist on the original German industrial classic, taking its skeleton and re-clothing it in dots, hearts, snowflakes and stars. The design offers a more approachable and whimsical tone of voice than the original, while maintaining all the legibility and clarity of form that makes DIN Next such a reliable and versatile design. It works in harmony with DIN Next, and is particularly suited for designers looking to be a little more expressive. DIN Next Shapes includes four fonts: Dots, Flakes, Hearts and Stars, and has pan European language support including Greek and Cyrillic. It also has OpenType features including stylistic alternatives, ligatures and fractions. Download DIN Next™ Shapes Fonts by Monotype

Download Now Server 1 Download Now Server 3 Download Now Server 2 Malou Verlomme designed Madera with graphic designers in mind drawing on his decade of experience designing bespoke type to create a versatile, easy-to- use geometric sans serif that ticks off a long list of branding requirements. Its sharp apexes add some flavour to the design, which offers an honest, trustworthy tone of voice but with a twist. The design doesnt go out of its way to attract attention, but is still very solid, explains Verlomme. It still has a fair amount of warmth and personality, in a very understated manner. If youre a large corporation, with a typeface being used in many different environments, you want something thats easy to use but can sustain such a large amount of visibility. More The Madera typeface family has 16 fonts: 8 weights of both upright and italics. It is available in OpenType CFF and TTF fonts formats.

Download Now Server 1 Download Now Server 3 Download Now Server 2 Created with the needs of branding design in mind, Jan Hendrik Webers Unitext is a crisp, clean typeface that functions well across print and online use. It blends humanist and grotesque qualities, adopting a style that the designer describes as neo grotesque. Narrow spacing is what sets this typeface apart, however it also uses open counters and angled details to boost readability. The ideal font should work at every touchpoint, says Weber. And designers shouldnt need an introduction or a set of rules on how to handle this typeface. Unitext allows designers to work without explanation. The Unitext family includes 7 weights, spread across 14 fonts with extensive Western, Central and Eastern European language support. Download Unitext™ Fonts by Monotype

Download Now Server 1 Download Now Server 3 Download Now Server 2 Alfie is lively, friendly, inviting and easy on the eyes. What more could you want in a script? How about four flavors of the same design? Alfie Script is a delightful connecting script with a touch of comfortable elegance. Use it for everything from social announcements to headlines and packaging. Alfie Casual is a little more laid-back with letters standing on their own. It works great in short blocks of text copy, subheads and navigational links. Alfie Informal has spirited serifs and its own demeanor, while Alfie Small Caps does a fine job of supporting its other siblings. Theres an immediacy to words and messages set in these lighthearted confections. More Jim Ford was practicing drawing with a new brush pen when the inspiration for Alfie came to him. He had filled several pages in a notebook with letters and, at one point, realized tha