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Download Bona Nova Font Family From BORUTTA GROUP

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Download Now Server 1 Download Now Server 3 Download Now Server 2 ☞ Bona Nova is a collective revival project of Bona typeface designed in 1971 by the author of polish banknotes Andrzej Heidrich. Besides giving the project a digital font form the aim was to expand the base character set: preparation of small caps, designing the alternative glyphs and multiple opentype features. Working together with the author we designed two new text versions: regular and bold – to give the family a form of a classic script triad. ☞ It is accompanied by three title versions and three contour styles under the name of Bona Sforza. All styles contains over 1200 glyphs. ☞ Bona Nova is an unprecedented typographic adventure for our team. We hope that our work will allow the cultural heritage of Bona and the work...
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Download Dress Fonts by Typesenses

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Download Now Server 1 Download Now Server 3 Download Now Server 2 Looking at some specimen books of printing types of late nineteenth century, I found many ornamented capitals for headings among the typefaces. Most of them showed a flourish like a tuscan serif - a characteristic trait of a peculiar capital lettering made with brush. Dress is the result of the mash up between that influence and the Didone style - perfect for display. To decorate, to adorn, to dress a design piece is the intention of this family, adapted to the twenty-first century. The font should embellish book covers, publications, packagings, movie posters, greeting cards, stationery, among other uses. Additionally, Dress matches very well with Limon Script. More Started up by the authors hand, Dress is a professional work, accurate, well spaced, with ligatures and alternate...
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Download Grava Font Family From Positype

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Download Now Server 1 Download Now Server 3 Download Now Server 2 Grava is Neil Summerour’s injection of warmth within the geometric sans font category. Historically, geometric sans families have been based on primal shapes — triangle, circle, square — and the more closely they held to those rigid rules, the more internal inconsistencies they showed. Angles won’t match up correctly, letters will lean, overshoots complicate clean typesetting, and idealized circles become grotesque and unwieldy in some weights. Because of issues like these, geometric sans fonts have a reputation of being cold, austere, even a bit “off”. Grava was made to hold a T-square and triangle in one hand while giving a welcoming handshake with the other. The Grava font family comes in two styles (a normal and a Display)...
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